• Katie got a duplicate key cut for Paul’s room – and was spied on by the creepy hotel owner (I presume). Unbeknownst to all of them, they've been followed by a Chronicle journalist and one of Spector's disgruntled patients, Jimmy. On the bright side, this scene provides us with one of the best lines of the season — when Burns gets pushy with her, Gibson gives this explanation for why she will definitely not sleep with him: "The basic human form is female. Katie’s suspicion of Paul increasingly feels less like a teenage fantasy – as he insists – and more like something she really believes in. Belfast calling. And yet her bravado remains and her desire, perhaps, strengthens. 2020 Bustle Digital Group. After she imagines shooting a man who turns out to be her one-night stand from series one, Stella wakes up in her office, clearly stressed about her pursuit of a serial killer. Episode two of The Fall and it's time for a dream sequence - we know it's a dream as Stella is wafting around in a floor length silk nightie – a dry-clean only, creases-like-tissue garment women only wear in movies. When Gibson takes a much-needed break at the hotel bar with pathologist Reed Smith, Spector successfully breaks into the detective's hotel room and has enough time to read her through her journal before Gibson and Constable Jim Burns enter the room. You may be able to find more information about this and similar content at piano.io, Jamie Dornan says The Fall boss fought to cast him, The Fall's last episode won't get BBC in trouble, The Fall is being investigated over grim final episode, ITV announcer confuses The Level with BBC's The Fall, The Fall: 6 HUGE questions that need to be answered, The Fall finale was a terrifying hour of TV for fans, The Fall finale review: a horrific, unexpected ending, The Fall episode 5 review: shocking and tense, The Fall series 3 finale gets a chilling new trailer, The Fall viewers can't look away from Anderson & Dornan, DIGITAL SPY, PART OF THE HEARST UK ENTERTAINMENT NETWORK. There's mounting evidence against Spector — namely, the presence of his fingerprints on a murder weapon and his wife's admission that she provided a false alibi. Both Gibson and Spector are struggling to keep their cool, but as the pace changes, so too does the feel of the show. We still have hope that this particular victim is still alive. His marriage is destroyed, with Sally threatening to end her pregnancy; the police are knocking on doors in his neighbourhood; Annie is still alive; Katie knows far too much; he now holds Rose captive. It’s down to him, and him alone.” Was he counselling her or himself here? We see moments of panic from the 16-year-old, but I’m still left wondering what writer/director Alan Cubbitt is really getting at here. Gibson initially delegates her male subordinates to handle the questioning and charges, but Spector insists that he'll only speak to Gibson.

Much more a male fantasy than a true-to-life character.
For a brief moment I wondered if this precocious 15-year-old would successfully manage to accomplish what Gibson and her team had failed to do — bring the Belfast Strangler to justice. Spector calmly sits by her bedside, offering advice to the young woman he put in hospital. Jamie Dornan's menacing performance as Paul Spector and Valene Kane's convincingly petrified one as Rose make the next scenes gut-twistingly tense – Paul drives through Belfast with Rose rigid by his side, begging for her life by trying to convince him that she has never once imagined he could be the strangler. ), Paul drives away from the building where he dragged Rose and the camera lingers on his tyre tracks – gosh, could these later become clues? The season concluded with a massive cliffhanger that was arguably the most memorable scene of the season — after Gibson and Spector finally came face-to-face, a shootout in the woods left both Spector and Detective Anderson fighting for their lives. About five seconds after Rose's rescue, all hell breaks loose. Stella's more concerned with the clue she actually has – the shears found in the river in the last episode – and whether they are the ones used by the strangler, while Paul, meanwhile, is hiding evidence – Rose's car – in a convenient garage. That’s unsurprising given that Spector is becoming increasingly reactive and desperate – Sally, Rose and Katie forcing him to respond and problem-solve – and it also perhaps addresses some of those issues around the perceived glamour of the killer: the police now have him on the run and he’s having to work quite hard to keep ahead of them. We earn a commission for products purchased through some links in this article. The chinks in Gibson’s previously guarded demeanour are starting to show: she dreams of mistakenly gunning down her former lover, blames herself for leading “Peter” straight to Rose, and demands explanations as to why Spector’s alibi wasn’t checked more closely. With this change in pace comes something of a change of feel, too. The Fall season 2, episode 1 recap: The game of cat-and-mouse returns 1. The Fall Review. Alas, just as the tension becomes unbearable, director Alan Cubitt gets a little heavy-handed with the hints of evidence to come - Tom spots Rose's dental retainer on the kitchen table (is that where she would usually leave it? I'm not sure if poor Detective Anderson will make it, but it's a safe assumption that Spector will survive and stand trial because, you know, he's the star of the series. And, if it feels like it's been forever since Stella Gibson (Gillian Anderson) and Paul Spector (Jamie Dornan) graced our small screens, you're not imagining things. The Fall: episode by episode The Fall The Fall recap: season two, episode six – an infuriating cop-out of an ending After all the tension, too many … I’m presuming that Katie’s age here feeds into Spector’s view of himself as a protector of (particularly female) children – Sally’s unborn child, daughter Olivia, Rose’s kids – which is why the character needs to be a schoolgirl.

As opening lines to second series of TV shows go, it’s a pretty good one. But she soon finds out herself when Spector pins her down, almost strangles her and then – hinting at the sex she seems to be hoping for – ties her up with her tights and school tie and then leaves her there to untie herself. The Fall recap: series two, episode two – a more typical detective drama.

She tells him that she knows he used to be called Peter and, in one of the season's most heartbreaking plotlines, Spector kidnaps Rose and holds her hostage.

It's truly horrible to watch as she struggles and sobs to break free. It was hard to know what to make of Spector’s response: “Nothing you did, nothing you could ever do, would make you responsible for the events of that night. While this isn't as gripping as last week's episode, it's the last 10 minutes here that make up for the questionable middle and leave you counting the hours to the next instalment.
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the fall season 2 episode 2 recap

Does he get his kicks hearing about his own attack? In Season 1, Detective Superintendent Gibson of England was assigned to conduct a 28-day review of the case — but she remained in Belfast when the case stalled and made clear that she wouldn't give up until the murderer was brought to justice. The series is produced by Artists Studio and created by Allan Cubitt . The Fall series 2, episode 2 recap: Spector's secret is exposed A killer reveal as the award-winning BBC Two drama continues. (At episode’s end, we find out she had called a suicide hotline on several occasions. Silly girl. This is less about his “art” than simply staying out of range. Both are now struggling to keep their cool. Available for everyone, funded by readers. Finding her phone inside, he hears a message from Stella reminding Rose they are due to meet – just as Stella learns that Rose hasn't turned up at work or made it to their appointment. The Belfast Strangler is national news, and Gibson and Spector play an ongoing game of cat and mouse via the telephone. As we hear Gibson say in the Season 3 trailer, she wants Spector to live a long life behind bars. I’m interested in whether there was a point where Spector’s motives were ever uncomplicated so far as his job goes. To be honest, neither of the women in Paul's life seems to be thinking very clearly. And, finally, the season finale brings the two main characters face-to-face. It's been almost two years since Season 2 of the BBC series began streaming on Netflix, and plenty of people (*raises my hand*) marathoned all six fantastic episodes in one weekend. Was it always about power, voyeurism and judgment? As Stella questions Rose's husband, she realises the photo-fit Rose provided – and the fact the police told the media it was a drawing of how the suspect would have looked nine years before – will have led him straight to her. Spector is placed under surveillance and eventually taken into custody for murder and Rose Stagg's kidnapping. Chaos is descending – and that’s without the fingerprint from the shears that places Spector at the Shankhill murder scene.

It might be easier to consider the sexual thrill of putting yourself in a vulnerable position, if Katie wasn’t inherently vulnerable to begin with. She then asks him the question we have all been wanting the answer to all episode: "What have you done with Rose?" Oops. Ha! Learning about Paul’s past with the help of Alvarez was great and helped to delve deeper into Paul’s mindset. It seems unlikely to me. Not really looking good for Rose now, is it? (See also: access to a secret garage, disappearing from work, the Scottish cottage.). Nonetheless, the Stella character has been a major disappointment this season. The mirroring between the hunter and the hunted is a hallmark of this series, with the killer’s detached poise matched by that of the woman determined to catch him. Shocking cliffhanger aside, here are the key plot points and moments from Season 2 that you'll want to remember before tuning in to learn Spector's fate. What's next? It’s all very well having your intelligent, attractive killer make clear that sexual preferences don’t make it OK for a man to hurt you earlier in the episode, but this scene feels only a few steps away from suggesting that Katie deserves, maybe even consents, to Paul’s actions. Paul Spector’s name is now scrawled across DSI Stella Gibson’s notebook; bold capitals filling a full page amid the lines of neat notes. And as the net begins to tighten around Spector, so the stakes heighten. © 2020 Guardian News & Media Limited or its affiliated companies. • Gibson looks surprisingly immaculate for a woman sleeping, fitfully, on the office camp bed. Just as we're pondering this, he's running off because babysitter Katie has picked up his daughter from school and gone off with her.

• Katie got a duplicate key cut for Paul’s room – and was spied on by the creepy hotel owner (I presume). Unbeknownst to all of them, they've been followed by a Chronicle journalist and one of Spector's disgruntled patients, Jimmy. On the bright side, this scene provides us with one of the best lines of the season — when Burns gets pushy with her, Gibson gives this explanation for why she will definitely not sleep with him: "The basic human form is female. Katie’s suspicion of Paul increasingly feels less like a teenage fantasy – as he insists – and more like something she really believes in. Belfast calling. And yet her bravado remains and her desire, perhaps, strengthens. 2020 Bustle Digital Group. After she imagines shooting a man who turns out to be her one-night stand from series one, Stella wakes up in her office, clearly stressed about her pursuit of a serial killer. Episode two of The Fall and it's time for a dream sequence - we know it's a dream as Stella is wafting around in a floor length silk nightie – a dry-clean only, creases-like-tissue garment women only wear in movies. When Gibson takes a much-needed break at the hotel bar with pathologist Reed Smith, Spector successfully breaks into the detective's hotel room and has enough time to read her through her journal before Gibson and Constable Jim Burns enter the room. You may be able to find more information about this and similar content at piano.io, Jamie Dornan says The Fall boss fought to cast him, The Fall's last episode won't get BBC in trouble, The Fall is being investigated over grim final episode, ITV announcer confuses The Level with BBC's The Fall, The Fall: 6 HUGE questions that need to be answered, The Fall finale was a terrifying hour of TV for fans, The Fall finale review: a horrific, unexpected ending, The Fall episode 5 review: shocking and tense, The Fall series 3 finale gets a chilling new trailer, The Fall viewers can't look away from Anderson & Dornan, DIGITAL SPY, PART OF THE HEARST UK ENTERTAINMENT NETWORK. There's mounting evidence against Spector — namely, the presence of his fingerprints on a murder weapon and his wife's admission that she provided a false alibi. Both Gibson and Spector are struggling to keep their cool, but as the pace changes, so too does the feel of the show. We still have hope that this particular victim is still alive. His marriage is destroyed, with Sally threatening to end her pregnancy; the police are knocking on doors in his neighbourhood; Annie is still alive; Katie knows far too much; he now holds Rose captive. It’s down to him, and him alone.” Was he counselling her or himself here? We see moments of panic from the 16-year-old, but I’m still left wondering what writer/director Alan Cubbitt is really getting at here. Gibson initially delegates her male subordinates to handle the questioning and charges, but Spector insists that he'll only speak to Gibson.

Much more a male fantasy than a true-to-life character.
For a brief moment I wondered if this precocious 15-year-old would successfully manage to accomplish what Gibson and her team had failed to do — bring the Belfast Strangler to justice. Spector calmly sits by her bedside, offering advice to the young woman he put in hospital. Jamie Dornan's menacing performance as Paul Spector and Valene Kane's convincingly petrified one as Rose make the next scenes gut-twistingly tense – Paul drives through Belfast with Rose rigid by his side, begging for her life by trying to convince him that she has never once imagined he could be the strangler. ), Paul drives away from the building where he dragged Rose and the camera lingers on his tyre tracks – gosh, could these later become clues? The season concluded with a massive cliffhanger that was arguably the most memorable scene of the season — after Gibson and Spector finally came face-to-face, a shootout in the woods left both Spector and Detective Anderson fighting for their lives. About five seconds after Rose's rescue, all hell breaks loose. Stella's more concerned with the clue she actually has – the shears found in the river in the last episode – and whether they are the ones used by the strangler, while Paul, meanwhile, is hiding evidence – Rose's car – in a convenient garage. That’s unsurprising given that Spector is becoming increasingly reactive and desperate – Sally, Rose and Katie forcing him to respond and problem-solve – and it also perhaps addresses some of those issues around the perceived glamour of the killer: the police now have him on the run and he’s having to work quite hard to keep ahead of them. We earn a commission for products purchased through some links in this article. The chinks in Gibson’s previously guarded demeanour are starting to show: she dreams of mistakenly gunning down her former lover, blames herself for leading “Peter” straight to Rose, and demands explanations as to why Spector’s alibi wasn’t checked more closely. With this change in pace comes something of a change of feel, too. The Fall season 2, episode 1 recap: The game of cat-and-mouse returns 1. The Fall Review. Alas, just as the tension becomes unbearable, director Alan Cubitt gets a little heavy-handed with the hints of evidence to come - Tom spots Rose's dental retainer on the kitchen table (is that where she would usually leave it? I'm not sure if poor Detective Anderson will make it, but it's a safe assumption that Spector will survive and stand trial because, you know, he's the star of the series. And, if it feels like it's been forever since Stella Gibson (Gillian Anderson) and Paul Spector (Jamie Dornan) graced our small screens, you're not imagining things. The Fall: episode by episode The Fall The Fall recap: season two, episode six – an infuriating cop-out of an ending After all the tension, too many … I’m presuming that Katie’s age here feeds into Spector’s view of himself as a protector of (particularly female) children – Sally’s unborn child, daughter Olivia, Rose’s kids – which is why the character needs to be a schoolgirl.

As opening lines to second series of TV shows go, it’s a pretty good one. But she soon finds out herself when Spector pins her down, almost strangles her and then – hinting at the sex she seems to be hoping for – ties her up with her tights and school tie and then leaves her there to untie herself. The Fall recap: series two, episode two – a more typical detective drama.

She tells him that she knows he used to be called Peter and, in one of the season's most heartbreaking plotlines, Spector kidnaps Rose and holds her hostage.

It's truly horrible to watch as she struggles and sobs to break free. It was hard to know what to make of Spector’s response: “Nothing you did, nothing you could ever do, would make you responsible for the events of that night. While this isn't as gripping as last week's episode, it's the last 10 minutes here that make up for the questionable middle and leave you counting the hours to the next instalment.

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